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| Movie Review: K-19, The Widowmaker Story: How many remember the good old days of the
Cold War? Recall when you knew who your enemy was - or was supposed
to be? Well, the Soviet Union is long gone - yet out of the memory box
comes this ho-hum reminder of those days of yore.
Inspired by true events that occurred in 1961, Director Kathryn
Bigelow (Strange Days) submerges us into the cold
depths of the North Atlantic with a fairly conventional treatment of
a borderline crisis, tension between the two main characters, the possibility
of World War 3 and bad plumbing.
Essentially the tension exists between the good Captain and the bad
Captain. (Yes, we have co-captains on this not so yellow submarine.)
There is lots and lots of staring, scowling, sneering, and an occasional
burst of temper and battle of testosterone.
I found the most interesting part of the film to be the indictment of
the Soviet system with its notorious bureaucratic incompetence, poor
supplies for the military, bad electrical wiring, no medical equipment
for the troops and the aforementioned...bad plumbing. Had we known how
ill-equipped the Soviets really were...perhaps the Cold War would not
have lingered so long? Or then again, maybe we knew all along.
Acting: Hmm. As I have mentioned above, there was lots
of scowling and staring. I am not impressed with this school of method
acting. However, Liam Neeson, as the good Captain,
who is usually compelling (except for the embarrassing Nell) held his
own and did not shame his good name. Harrison Ford (who
was also executive producer) played the bad Captain and was not very
convincing. I am not a big fan of his (oh, oh - here come the hate mail).
I think he has been playing the same character for about twenty-five
years and that has grown old. The other men were adequate but were reduced
to stereotypical young sailor types.
Critters: One little white mouse
Food: Most of the food was irradiated and became inedible.
I only remember red wine, some crackers and jam.
Visual Art: There is not much room for visual art on
a submarine.
Blatant Product Placement: None.
Soundtrack: So over the top that we actually laughed
a few times.
Opening Titles: Just some explanatory type to explain
the history.
Theater Audience: Three guys and us.
Sappy Factor: 2
Predictability Level: High
Oscar Worthy: No
Nit Picking: How come Russia is referred to as the
Motherland and Germany is referred to as the Fatherland? Anyone out
there have the answer to that one?
Big Screen or Rental: Rental. If you are into submarine
films here are a few for you to rent: Das Boot, Destination: Tokyo,
Crimson Tide, The Yellow Submarine, Operation Petticoat, U-571 and Run
Silent, Run Deep.
Length: 2 hours and 10 minutes. (Over the LOBO 2
hour rule.)
LOBO HOWLS: 5
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